Baz Luhrman´s Version of Shakespeares Romeo and Juliet Essay -- Romeo

Baz Luhrmans Version of Shakespe ares Romeo and Juliet One of the characteristics of Elizabethan and also Jacobean drama is the small(a) number of stage directions and the lack of details they contain. As a uniform consequence theatrical representations or film versions of these ages may allow an key quantity of freedom in the performance. In other(a) instances stage directions and other important theatrical elements are consciously left aside in order to create totally different visions of the veritable idea. That is not the teddy of Baz Luhrmans version of Romeo and Juliet filmed in 1996, which despite the numerous alterations of the original play still retains Shakespeares initial conception. On the question of setting, instead of the Verona of the one-sixteenth century in Italy, the action occurs in another Verona in the nineties, a coastal city dominated by two large skyscrapers be to the Montagues and the Capulets respectively, two adversary industrial powers. The ram bles appearing in the play are barely respected, however the Capulets mansion including its walls and garden appear twain in the play and the film due to the fact that the events taking place there are crucial because it is the place in which Romeo and Juliets primary meet and develop their love affair. Apart from this, they are forbidden for Romeo, so any other location would have reduced the tension of his intrusions. In addition to this, in the film the streets of Verona are repeatedly replaced by the beach, and so the friar Lawrences cell by his chapel. It is usual to find that whereas in a single scene of the play the events occur in a single space location, in the film it is possible to see more than one, as in the case of the first scene o... ...already dead. Apart from these elisions, nearly passages or sentences are extrapolated as in the case of 5.3., when Romeo says thy drugs are immobile referring to the apothecarys poison. This sentence only appears before Romeo a nd his friends go to the fancy-dress ball referring to the ecstasy tab key that Mercutio gives him. An interest case regarding to the text is prince Escalus last intervention (5.3.), that in Luhrmans versions is performed by a newsreader on a t.v. who also performs the role of the choir at the very beginning of the play. From all this, it follows that closemouthedness is the key interchange since this version, unlike others as West Side Story by Jerome Robins and Robert Wise, retains the raw material plot, metrics and literary devices in order to achieve a faithful and, at the same, time new vision of the Shakespeares work that keeps his poetic richness.